The collection stems from an interpretation of the letter “O” in Oscar as a basic geometric matrix, transformed through a continuous process into a family of elements designed to interact with architectural surfaces. The simplicity of the form thus becomes the generative principle behind a series of objects in which geometry, material, and function coexist within a unified system.
A tubular brass element, characterized by a constant diameter of 16 mm, traces continuous lines in space that develop and take shape in relation to the element’s function and the surface that accommodates it. The curves, achieved using a uniform radius of curvature, convey an essential formal language capable of adapting to different configurations and taking on, as needed, the role of a coat rack, towel rack, mirror, light fixture, or decorative element.
The rigor of the geometry is complemented by the textural quality of the marble, available in various shades, which introduces the inherent variability of natural stone into the composition. The interplay between the marble and the continuity of the metal brings together two materials deeply rooted in building culture and contemporary design, highlighting their tactile, chromatic, and perceptual qualities.
The three brass finishes—black nickel, burnished brass, and copper—can be paired with different types of marble, creating varied combinations and expanding the possibilities for incorporating them into spaces. The result is a collection in which the object transcends its functional role to become part of the architecture: a set of minimalist elements capable of establishing a precise relationship between surface, material, and space.